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Exclusive
Interview: Use this Hollywood
screenwriter's unique 'FAST' method to
write anything in record time.
Published author Jeff Bollow shows you how
to boost your writing skills by up to 10
times and tackle
any size project without a problem.
Jeff
Bollow is an award-winning filmmaker and
acclaimed screenwriting teacher. He has appeared
in moves such as... Don't Tell
Mom the Babysitter's Dead, Lost Valley,
Pink Lightning, and 6,000 Miles from
Hollywood, as well as dozens of
television shows, commercials
1.
Jeff, could you tell us a little bit about
your background (what films you have been
involved in, what work you do now, etc).
It's funny. The work I do now is about as
far from what I SHOULD be doing as I ever
thought I'd get! What I should be doing is
making films. But I can't. Instead I'm
teaching people how to write. Go figure.
See, the past four years have been a blur.
I've been teaching screenwriting across
Australia and New Zealand through my
company, Embryo Films. All because I
couldn't find any screenplays that were
worth producing.
I was born and raised in Los Angeles --
movie central. And from the very
beginning, that's all I ever wanted to do.
I got into acting when I was about 12,
with bit parts and supporting roles over
the years on TV, in commercials, and in
movies like "Don't Tell Mom the Babysitter's
Dead", and a "Columbo"
movie of the week.
But I really fell in love with the
movie-making side of things. I've worked
every job I could, on all sides of the
camera, to know this business inside out.
I've written, directed and produced short
films for myself (including one called
"The Duel" which won the IFC New
Filmmaker Award), and produced short films
for other people that have shown in
festivals around the world.
In 1996, I was presented with an
opportunity to visit Australia, and I
jumped at it. Little did I know I'd fall
in love with the place, and decide to
stay! But after I was here for a year, I
realized there weren't many people writing
screenplays... so advancing my independent
filmmaking career was gonna be tricky.
I wrote a screenplay for a movie, a friend
and I could self-produce, called
"6,000 Miles from Hollywood".
Once it was in the can, I started looking
for follow-up projects. I read hundreds of
screenplays, but couldn't find anything.
So I started teaching people how to write
commercially-viable screenplays.
2. How did you become involved in
filmmaking/screenwriting?
Filmmaking: I honestly don't remember a
time when I WASN'T involved in it. Even as
a kid on my paper route in L.A., I was
already dreaming about it, and tinkering
with my dad's Super8 film camera. I bought
a video camera before I bought a car.
Screenwriting: That's another story.
I got involved in screenwriting out of
necessity -- first to create an acting gig
for myself, and then secondly to show
other people how to write material to feed
my vision. See, I've got this vision in my
head I just can't shake. I'm trying to
build an independent feature film studio
that produces 3 - 6 films per year. But
that's a bit difficult when you can't even
find ONE good screenplay!
The real irony here is that I hate
writing. Well, that's not exactly true.
More accurately, I USED TO hate writing.
I've grown to see it for what it is -- a
molehill people turn into a mountain.
Look, I've met so many writers, and seen
so many people struggle with it, I
discovered that people universally fear
the writing process. The act of teaching
it, has helped me see exactly WHY it has
this power over people, and exactly
how to beat it.
But it all evolved out of a simple need
for screenplays.
3. You've recently published a new book
titled "Writing FAST: How to Write Anything with Lightning Speed." How
did you come up with the idea for this
book?
I needed a way to get my students writing.
And I mean REALLY writing. Every time I'd
follow up with them, I'd get the same set
of excuses. I'd ask, "Are you
writing?" and they'd respond with,
"I've been busy." Or, "I
got halfway through, and got stuck."
Or, "A screenplay is such a huge
project, I don't think I'm ready for that
yet."
Now, you've got to understand, my
workshops consistently get a near-perfect
recommend rate. I've had over 600 students
in 6 cities across Australia and New
Zealand, and nearly 100% of them RAVE
about my workshops. They walk away with a
real, practical knowledge of
screenwriting. And they PROMISE me they're
going to write!
And yet it turns out, less than 5% of them
were actually APPLYING what they learned!
When I sat down to figure out where I had
gone wrong, I realized that I was filling
their heads with INFORMATION... but I
wasn't giving them a SYSTEMATIC approach for APPLYING that information.
So that became my new goal: To develop a
systematic approach to the PROCESS of writing. To
make SURE they could actually do it. And do it well!
Originally, I was creating a home-study
screenwriting system called "FASTscreenplay", which
is essentially going to be a whole package, with all my screenwriting
knowledge combined with this new approach to writing, I call
"the FAST System".
But as I was developing it, I realized
that the FAST System applies to ANY kind of writing. In fact, I
was USING the FAST
System to create FASTscreenplay!
So I decided to take a step back, and
develop a more general-use book -- something that could
be used by anyone... to write anything. Because the more people
out there that discover how ENJOYABLE writing can be
(even if you start out hating it), the more people are likely to
try their hand at screenwriting.
4. As a membership site publisher
your title interested me, as we're required to have a continual
production of content, articles, cases studies,
etc. Your book is based on what you
call the 'FAST' system. Can you explain the basics behind this system
and provide a breakdown of the acronym?
The FAST System is a simple, step-by-step
approach to the process of writing. What I discovered as I
was teaching this stuff is that writers -- even those that
had been writing for a long time -- consistently wrote in a way
that was almost
DESTINED to get them stuck. FAST is about
writing fast. Getting it written -- and written well --
as quickly as you can. I believe you'll actually write better...
by writing faster... because I've seen it time and again.
The "FAST" acronym stands for
Focus, Apply, Strengthen, Tweak. And what we do, basically, is break down
any writing project into four distinct phases:
- First, you FOCUS your idea into a plan.
You turn that vague idea into a specific, detailed roadmap
that allows you to swiftly fly through your writing.
- Second, you APPLY that plan with
speed-writing techniques. You get the words on the page
considerably
faster than ever before.
- Third, you STRENGTHEN your writing. When
you use the FAST System, your writing is pretty solid by
this stage. But here you'll quickly lift it up a notch, and
make it really work.
- Lastly, you TWEAK your project and
control the speed of the read. One of the biggest mistakes writers
make is that they try to Tweak it while they're in the other
phases. With the FAST System, each phase builds on the
previous one, making the entire writing process easier.
What's really great about this system, is
that it fuels itself. The more you use it, the faster you get,
and the better you become. In "Writing FAST: How to
Write Anything with Lightning Speed", each of these phases is
broken down into three basic movements, and each movement has five easy
steps.
5. How does someone prepare to
"write fast"?
Well, frankly, I think that's the problem
right there. I'd suggest that you DON'T prepare. In fact,
preparing
is what slows us down in the first place. Rather, I'd say
we need to "let go" to write fast.
Perhaps a better way to answer the
question is to look at why people write "slow". We
write slowly when we're unsure. When we don't have all the information.
When we're not confident about what we're saying.
Basically, we slow down when we judge ourselves -- by thinking too
much!
So writers do exactly the WRONG thing!
Either they just leap into their project before they're
ready (and then they get stuck halfway through)... or they
spend SO much time preparing every little thing, that they
get suffocated by the
details. Both mistakes lead to the same
thing: SLOW WRITING.
Think back to a time when you wrote
quickly. When, without even worrying about it, the words seemed
to be flying out of your fingers and onto the page. You were
in the zone. Your head was overflowing with ideas, and it
was all you could do
to just dump them onto the page before
they disappeared.
Well, "Writing FAST" is about
systematically creating that scenario EVERY time you sit down to write.
It's about conquering the writing process itself, so
that you do it FAST automatically... without even thinking
about it.
The best way to "prepare" to
write fast, is to tackle your project systematically, starting with the
Focus phase.
6. Do you suggest any exercises or
special preparation before you sit down to write something? For example some
writers draw pictures before they write. Others do physical exercise or
some just literally put on their writing cap.
I've met over a thousand writers so far,
through the workshops, the assessments, the
submissions and so on... and every one of them is different. The
first thing to
acknowledge is that you're unique. So if
any of those gimmicky things work for you, don't let
somebody like me tell you not to.
However, I don't think you need any of
that stuff. That type of preparation only serves to make the
writing process more formidable. You're telling yourself
writing is this big, bad, mean, ugly challenge you have to somehow
"conquer". It gives it too much weight. Too much power.
Make it easy on yourself. Just write. Let
words pour out onto the page instead. When you approach
writing the right way, the words come automatically.
They're not always perfect, but that's why writing is a
PROCESS and not an activity. Typing is an activity. Writing
is a process.
If you really feel the need to do an
exercise before you write, here's what I'd suggest:
------------------------------------------------------------------------
Turn on the
computer. Open up your word processor to a blank page. And give
yourself three minutes to write as many words as you
possibly can. Do it every day, and try to beat yesterday's
word count.
------------------------------------------------------------------------
The more comfortable you are throwing crap
onto the page, the faster (and better) your writing will
become.
7. How does writing fast make you a
better writer than writing how we're taught in school?
School is a mixed blessing. We're taught
the elements of good writing, yes. Things like sentence
structure and grammar and classic prose style. And to some degree,
we need that awareness. But the rules that were beaten into you by
Mrs Crabapple were also tremendously crippling. It puts the
cart before the horse.
The problem with the way we're taught in
school is that it over-emphasizes literary and grammatical
correctness. Too often it's at the expense of your own unique
voice. And the internet has changed the vernacular. Writing is
different today than it was twenty years ago. It's gotta be lighter.
Writing FAST (both the system *and* the
speed) gets you in touch with your own style. Your own voice.
We keep the cart behind the horse, and we get that horse
galloping. We don't ignore any of the stuff you learned in
school... we just don't
worry about it until the Strengthen and
Tweak phases.
It's one of the most important lessons of
the whole book: If you keep all your attention on the
"rules", you'll get in your own
way. Break the process down into steps -- into
phases -- and look at the rules when you reach that phase. By
doing so, you give your writing speed a chance to take off.
8. Most people are intimidated when
it comes to writing big projects. What's the best way to tackle a large
project, say a book, report or even a screenplay?
Why, the FAST System, of course!
Seriously, the FAST System was developed
for large projects. I realized that my screenwriting students
were daunted by the scope of a two-hour movie, and I needed to
give them a way to simply and easily break it down -- a
way that didn't force them to write formulaic stories!
When I realized that it applied to ANY
kind of writing, I used the FAST System to write the book -- my first.
It was really the first chance I got to see the system in
practice, and I've gotta say, it surprised even me. Every time I
slowed down -- every
time without fail! -- it was because I was
ignoring the principles of the FAST System. All I had to do was
stop, get back on the FAST System, and I'd zip right through it.
But I think you're looking for a specific
tip, here, so I'll say this...when you want to tackle a big project, the
very first thing you've got to do, is to break it down into
bite-sized chunks. I call it "Chunking" your
project. I can't explain the whole thing
here, but in a nutshell, you need to
realize that a large project simply cannot be completed in a day. The
first step to tackling it, is planning the project around how
much you CAN do in a day.
You might think writing is all about the
words, or the ideas, or how good your sentences are. But TIME
is an equally important factor. It takes TIME to write.
And it takes MORE time to write a bigger project. If you
don't deliberately decide
to write FAST, it will automatically take
more time. And if you haven't anticipated that, you'll slow
down, get stuck, get frustrated, and quit.
The solution is to get your head around
the FAST System, and then apply it, every single time you
write.
9. What can be done when you feel you
are running out of ideas or inspiration for a project?
Well, for starters, if that happens,
you're not using the FAST System. And I'm serious about that.
Because if you're using the FAST System, you'll actually have more
ideas than you know what to do with, and you'll never get stuck
halfway through.
You run out of ideas, or out of
inspiration, when you leap into a project before you know where you're
going. In other words, you haven't FOCUSED your project yet. The
very act of Focusing your project will show you
exactly where the holes
are before you ever start writing.
And when you do that, you're very
deliberately setting yourself up to SPARK ideas during the writing phase
(the Apply phase). You're basically putting yourself in a
position where you TRIGGER ideas at exactly the moment you need them
most... and then you blast through them.
When you put yourself in that position,
you have exactly the opposite problem -- keeping yourself on
the right track when you've got too MANY ideas in your head.
But the FAST System even incorporates techniques to harness
those ideas, and use them later.
Most people approach writing completely
the wrong way around. And that's why they run out of steam. If
you take it in phases, you'll write so quickly, you won't have
TIME to run out of inspiration, and your mind is moving so
fast, the ideas keep
generating themselves.
10. Can you explain your proprietary
technique called Talktation? Can you give an example of how you might use
it?
Please
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